Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Piano - History. --- Pianists. --- Piano music - 19th century - History and criticism.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

muziekgeschiedenis --- Music --- muziekleven --- religieuze muziek --- anno 1800-1899 --- History and criticism --- % 9611AR --- Music - 19th century - History and criticism

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

muziekgeschiedenis --- Music --- harmonieleer --- anno 1800-1899 --- Europe --- Harmony --- History --- History and criticism --- % 9611AR --- Harmony - History --- Music - 19th century - History and criticism

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Musicians --- Music --- Musiciens --- Musique --- Biography --- History and criticism --- Biographies --- Histoire et critique --- 19th century --- 78.29.1 --- Musicians - Biography --- Music - 19th century - History and criticism

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

In 1795 Friedrich Schiller wrote: «Die bildende Kunst in ihrer höchsten Vollendung muss Musik werden und uns durch unmittelbare sinnliche Gegenwart rühren» (Schiller, Über die ästhetische Erziehung des Menschen, Letter XXII, 1795). This sentence underlines the fundamental aesthetic change that coincided at the onset of the nineteenth century. According to «ut musica pictura», music becomes the model for an art able to express and communicate feelings. Even as music no longer necessarily has to embody order, so does painting move away from pure imitation to encompass emotional affect. Music and painting thus converge in embodying a sensual conception of the arts: music is capable of expressing emotions and arousing them in the audience; painting can do the same through visual perception. The present volume, which brings together 21 essays, focuses on encounters between composers and painters, but also on the relationship between music, literature and the figurative arts, as well as on the concurrence of musical and artistic aesthetics. Sections of the book are devoted to iconography, to the relationship with the theatrical arts (in particular the scenic aspect) and in one instance, to Franz Liszt.

Art and music. --- Music in art --- Music --- Art, Modern --- History and criticism --- History --- Art and music --- Arts, Modern --- Music - 19th century - History and criticism --- Arts, Modern - 19th century